Fear Of VisibilityPsalm 139:1-3

The Portrait Before Anyone Sees It

This message is for courage to let one trusted person look at unfinished work, for a capable portrait maker whose obstacle is exposure rather than ability

For the maker who turns the easel to the wall whenever there is a knock at the door.

When the prophet came to anoint a king, the sons of the house were brought out in order, oldest first, and each of them looked the part more than the last. The one who was actually chosen was not in the room. He was outside with the sheep, and somebody had to be sent to fetch him.

What is easy to miss in that account is how ordinary the exclusion was. Nobody was being cruel. A father simply did not think to include a boy who was out doing the unglamorous work, because the unfinished and the unimpressive are not what a household presents when somebody important arrives.

Now look at your sitting room. There's an easel in the corner and it faces the wall, and it has faced the wall every time anybody has knocked for the last four years.

Finishing a portrait and then covering it is not caution and it is not craft, it is fear of somebody standing in front of it, answered here as fear. Scripture says God has already searched you and known you completely, and the Holy Spirit is not impatient with a man frightened of being watched mid-work.

The Portrait Before Anyone Sees It

Naming the Fear Correctly

Get the shape of it right, because the wrong name for a fear is most of what keeps it in place.

You are not afraid the portrait is bad. You know precisely where it stands and what it still needs, which is more than most people know about their own work, and the assessment would take you one sentence.

The fear is about being watched partway. A finished picture is an object and it can be handed over. An unfinished one is a running argument with yourself, visible on a board, and anybody looking at it is looking at the argument rather than the conclusion.

Your fear is about being seen mid-thought, not about being unable. The written Word says God knows your sitting down, your rising up, your thought while it is still far off, while the Holy Spirit works in the part of you that would rather not be watched thinking.

Say it that way and most of the usual advice falls off. Nobody needs to reassure you about your ability. That was never the missing piece.

What the Wall Is Buying

Turning the easel around does something real, and it deserves honesty rather than a scolding.

Facing the wall, nothing is half judged. The picture stays exactly as good as you know it will be, unaffected by any glance at its middle, and the visitor meets a man in a room rather than a man in the middle of an argument. That is a real peace and you have maintained it carefully.

Here's the other column. Four years of turning it round means nobody has ever told you the one thing you cannot see from inside the work. The eye is slightly low. The hand reads as a fist. Whatever it is, you will find it in six months on your own, and one friend would find it in nine seconds.

You are buying a quiet room with the help you most need. Scripture puts your standing in what God knows of you rather than in what a visitor concludes from a half done face, and the Holy Spirit brings correction through people as readily as through time.

Nothing here asks you to exhibit, sell, or become somebody who enjoys an audience. One person, one look, one afternoon.

There's something else worth saying about the middle of a piece of work, and it's the part nobody tells a maker. The middle isn't a failure state. It's what the work looks like while it's true, before you've smoothed the argument out of it, and a person who has made anything themselves recognizes that immediately. What you're afraid will look like incompetence reads to another maker as honesty.

You'd know this if the easel belonged to somebody else. Walk into a friend's room, see a half done face on a board, and you wouldn't think less of him for a second. You'd want to stand there.

What One Look Would Actually Cost

Count the risk plainly, because the fear has been charging for four years without ever showing its arithmetic.

If somebody stands in front of that easel for two minutes, here's the realistic spread. They say it's coming along and mean it kindly and say nothing useful. They see the thing you can't see and say it, which is the best outcome and the one you are most afraid of. They ask a question about the sitter that you hadn't considered, and it changes the picture.

Not one of those ends with a man walking out of your house having revised his view of your character. That is what the fear keeps implying, and it has never once been asked to justify it.

Being watched mid-work is not being judged as a person. The written Word says the One who searches you is acquainted with all your ways, and the Holy Spirit keeps your worth where God set it rather than where a visitor's face puts it.

Thou Understandest My Thought Afar Off

There's a psalm that takes the fear of being known completely seriously and then goes straight through it.

> O LORD, thou hast searched me, and known me. Thou knowest my downsitting and mine uprising, thou understandest my thought afar off. Thou compassest my path and my lying down, and art acquainted with all my ways. > Psalm 139:1-3 (KJV)

Look at the middle clause, because it is the one aimed at a man with an easel facing a wall. Thou understandest my thought afar off. Not the finished thought. Not the conclusion, tidied up and presentable. The thought while it is still at a distance, unformed, on its way.

That is exactly the state you have spent four years hiding. It turns out to be the state God has always seen you in, continuously, with no interval where you got to face the wall, and the relationship has not suffered for it.

God has been watching the unfinished version the entire time, and He has not once looked away. The written Word says He understands your thought while it is still far off, and the Holy Spirit makes that a place to stand rather than a thing to dread.

He has been standing in front of every unfinished version of it for as long as you have been painting.

Declare this over yourself

You are in Christ and Christ is in you, so what follows is not a claim made out of your own authority. It is agreement, said back to God in His own words, while the Holy Spirit carries it. How He orders the rest of it is His to decide, and He answers in His own way and in His own time.

Spoken by a man already answered for, and the answer came before the question. Who looks at the work, and what they say, is God's.

I am not too much and I am not too little, and being seen mid-thought does not disqualify me. The written Word of God says He understands my thought while it is still far off, so the unfinished version of me has been in His sight the whole time and He has not looked away. A man does not have to be finished before anybody may stand in front of his work. The Holy Spirit brings correction through people as readily as through time, and He is in this room. My fear is real, it is not vanity, and it does not get to keep an easel facing plaster. He has had a clear view of all of it from the beginning. I take one breath, and every glance is God's.

Why we ask you to say these out loud

Stories in these messages are illustrations unless marked as testimony.

This message is free. Nothing here is locked, nothing is for sale, and nothing is being asked of you.

The word this stands on

Psalm 139:1-3

This message is free, and always will be. There is nothing to unlock, nothing to subscribe to, and nothing you owe for having received it.

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